IDC Design Workshop 2021

IDC Design Workshop 2021

Dates: From Monday 15th February 2021, 9.30AM  to Friday 19th February, 5.00PM.
Due to Covid related restrictions, this year's design workshops will be in online mode.
There will be six tracks.
This course is meant for MDes Junior batch students and all PhD students.
Students can select ANY track they like, irrespective of their specialisation

Track 1. Mobility and Vehicle Design

Faculty: Mr Unnimohan

Task: Boat Design
About the faculty:
Unni Mohan M, an alumnus of IDC, IIT Bombay (Mobility and vehicle design 2012-2014), is an electrical engineer turned transportation designer specializing in design and development of cruise boats and solar boats for public transport and tourism.
 
He has designed Cruise boat Alaknanda for Varanasi based start-up Nordic Cruises. The vessel was inaugurated by Hon. CM Yogi Adityanath. His team hosted this cruise twice for Hon. PM Modi and the vessel is considered as an important landmark in Varanasi tourism.
 


 

 
 
 
 
 
 
 
 
 
 
 
Mr Unnimohan's recent project is a Solar electric boat for Cochin International Airport.

The workshop aims to introduce boat design and development from an industrial design perspective.


Students will be shared with actual design experience involved in the development of 

1.Alaknanda – Cruise boat in Varanasi.
2.Shikara boat for Kerala backwaters – internship project
3.Solar boat for fishing tourism – internship project.
4.Design and detailing of Solar boat for CIAL.

Students shall be given a mini project -


Design an Solar-electric boat to take passengers from Cochin international Airport to Marine drive, Kochi.


The project intent to helps students in generating design brief by identifying-

-user types, 

-user requirements, 

-dimensional constraints, climate and operational challenges 


The workshop to complete with a presentation on the design.

 
 

Track 2. Animation

Faculty: Mr Prosenjit Ganguly

Task: Pitching for an animated TV episodic series

Title : Pitching it on Line and Length 

About the faculty:

NID Alumnus and Former Director At Toonz Entertainment, Prosenjit Ganguly is an Animation Film Maker, Screenwriter and Mentor. His Work has been showcased and awarded at numerous International film festivals including Chicago Int Children's film festival, Film South Asia, Hamburg Film Festival and the Panda awards. He is a visiting mentor at NID Ahm, SRFTI Kolkata, MICA, Symbiosis Pune and many others.

His works can be seen at

https://www.youtube.com/watch?v=WeyfiOqruhY https://www.youtube.com/watch?v=AR-kgVat-Wk https://www.youtube.com/watch?v=UiR1Xg0DrSM 

Workshop Plan: 

No matter how brilliant the idea is, it has to be convincing enough to be produced for an audience. This time we dig into the process of taking the scratch of an idea and packaging it into an Intellectual Property to die for! If the storyteller in you is game for crazy deadlines, fine-tuned madness and an

insatiable hunger for the impossible, See you soon!

Track 3. Product Design

Faculty: Prof R Kumaresan

Function of Form:

  Workshop team:: 

Prof. Kums P Kumaresan

Mr.Saravanan (Gurupriyam innovations lab)

Mr.Deepak, ADDP

  Design Challenge Brief::

Keyboards are omnipresent in every aspect of our digital life. The physical Form of the keyboard is a well-researched topic. The keyboard what we used today is a result of strong design considerations including user’s ergonomics, manufacturability, compactness and compatibility in various use cases.

The most popular layout has been the ‘QWERTY’ layout and other less famous layouts like DVORAK, AZERTY, QZERTY etc. There are interesting reasons for popularity of QWERTY layout. While there are many ergonomic keyboards and gaming keyboards and special purpose keyboards with different physical layouts, the popular physical layout of the standard keyboard has been rectangular due to facts like compactness, manufacturability, cost etc. We will be discussing the reasons in the design workshop.

Moreover, understanding the concept behind keyboard as an input device will open up a plethora of applications in IoT, automation, custom interfaces etc.

What will be the layout and physical form of the keyboard, if you are given an opportunity to custom make it for yourself? 

  What will you learn::

HHow the form of interactive devices evolves.

2How to prototype a concept that you have.

3How easy it is to work with microcontrollers, even without any prior experience.

 

Track 4. Product Design

Faculty: Mr Chandrashekhar Wyavahare

Topic: Product Design
Title of the workshop : Finding Forms 

Workshop plan:

The workshop focuses on Form-finding in industrial design. The workshop will focus on discovery, an approach to look at forms as a tools to express emotions and experiments to find a direction / directions, The processes to discover a more correct way in which to organize a product . It is a study into the capability of discovering optimum form, dynamic adaptability, and exposes a set of unique relationships not normally relevant to design.

Track 5. Interaction Design

Faculty: Ms Sanjukta Das

Title: Exercising adaptive leadership in design practice
Task: Design Leadership and Social Entrepreneurship
About the faculty:

Sanjukta is a Creative Lead at Dalberg Design based in Mumbai. At Dalberg she has worked with philanthropic foundations, state governments, and social enterprises across MNCH+A, SRH, Public Health, Gender & Technology. She is faculty for Adaptive Leadership facilitation at the Acumen Academy. Sanjukta blends her skills in adaptive leadership to build Human Centred Design capacity in clients, partners, and teams.

Sanjukta’s recent work involves working with a state government’s nodal agency for implementing e-governance, to scale solutions in the state that are encouraging and inclusive of women’s participation in accessing MNCH content and government entitlements. She has worked with USAID on global health projects that provide reproductive health information and services with private sector partnerships to young adults. Sanjukta has also led initiatives within Dalberg for NGOs and social enterprises to inculcate design mindsets in the product development process, diagnose and prototype organizational change and org culture initiatives.

Prior to joining Dalberg, Sanjukta worked as a consultant with IDEO.org on a multi-stakeholder team consisting of members of the Dept. of Health and Family Welfare, Rajasthan, that implements the adolescent health program for adolescents by The Ministry of Health & Family Welfare. She has worked as a senior manager of research and innovation at Ayzh, a social enterprise that improves maternal and newborn health outcomes through training programs and tools that empower caregivers to adhere to best practices. She has previously been a project manager and researcher at Simpa energy, a social enterprise that makes solar energy accessible in rural markets. Sanjukta graduated from the Industrial Design Centre, IIT Bombay with a Masters in Interaction Design. Sanjukta is an Acumen fellow and Aspen institute scholar. 

More info at:

https://acumenideas.com/acumen-fellow-sanjukta-das-always-had-a-very-active-imagination-2cafaeb488f7

https://www.linkedin.com/in/dassanjukta/

https://dalberg.com/who-we-are/our-leadership/sanjukta-das/



Sanjukta Das - Workshop Plan:

Exercising adaptive leadership in design practice

As designers, we are trained to ‘problem solve’. A key part of the process is our own influences and conditioning that shape how we research, prototype, and develop interventions like products, services, programs, interfaces, etc. Our own defaults, value systems, influences, biases, etc directly affect the understanding of ‘users’ (and hence the effectiveness of the process and the outcome we deploy as designers). This workshop aims at turning the lens of problem-solving lens inwards, to identify and manage our own internal systems, and then expanding it to other collaborators and the wider community. 

Note: This workshop will be interactive, discussion, and “doing” oriented. There will be short readings and exercises provided during the workshop that will form a base for subsequent topics. 


This workshop will span across:


1. SelfTaking systems thinking approach to identify our role in the ecosystem where we design. While our products, services, programs are aimed at “solving” problems and “changing” for the better, what does that experience of change feel like to the end-user? At the beginning of the journey, we will start with the self as the frame of reference, identify our defaults (intention-action gaps, triggers, values), and use the insight from that to expand our understanding of people, problems that we aim to address through products and services. 


Frameworks we will learn: Mindfulness in Design, Adaptive leadership (and how it is different from technical leadership), Faction mapping


2. Other: Understanding what it takes to create a collaborative space that holds innovation, divergent thinking, and risks. In any design work, we always work with team/ colleagues/classmates/ boss/ profs/ guide/ clients. Before even getting to “doing the design work” - there are many intangibles of expectations, responsibilities, perspectives, etc that need an ongoing reconciliation during the design process. In the exploration of self with respect to others, we will learn about how to bring people along, what does it mean to build and sustain a collaborative environment, how to hold the space for dissent in service of embracing pluralism in design. 

Frameworks we will learn: Polarities management,  VLL (Values, loyalties & losses)


3. Community: Recognising and managing factors that influence the world of the ‘user’. We will explore what influences the “user’s” context (political, historical, socio-economical, environmental factor) and how that might define the engagement with “user groups” in various communities. We will take a lens of resource-constrained communities pertaining to low-mid income, marginalized (due to gender/ caste and other such factors) and apply the insights from Day 1 & 2 to explore mindsets and tools for practicing design research that is truly participatory and equitable in nature (i.e. One where designers are not extractive of information but play the role of ally with communities who play an active role in partnering with designers). 

 Frameworks we will learn: Recognising and managing power dynamics in design research, Participatory design research: mindsets, methods and tools, case studies of how it is used. 



Track 6. Communication Design

Faculty: Dr Sherline Pimenta

Task: Storytelling and Information Design
More info at: https://kathanika.com 

About the faculty:
Dr. Sherline Pimenta K. is the Master Storyteller at Kathanika, her passion is to
explore how people make sense of the world around them. Her interests include
narrative studies, experience design, communication design and visual language.

Sherline received her Ph.D. in 2011 from IDC, IIT Bombay. Her doctoral thesis entitled
‘Moment and Moments: Discourse in Static Visual Narratives’ explores how stories (written or oral) are communicated through static images using the structuralist perspective.

About Kathanika:

Kathanika was founded 2011 by Dr. Sherline Pimenta K and Krishna Kumar R who passionately believe in the magic of stories, storytelling and design. Kathanika was conceived as a melting pot where stories and design come together to create an experience. Deeply rooted in the philosophy of the narrative tradition, Kathanika offers services such as Design Consultancy, Training Programs, Workshops, Talks and Storytelling sessions for people of all ages. Kathanika is also involved in research of stories and storytelling as a means of communication.

Remember the many stories you heard as a child? The stories that spiralled you into the
realm of enchanted forests an d castle with towers or sleepy villages. These stories
transported you into strange lands and gave you a glimpse of the happenings there.
Spoken stories are fundamental to help people envision and imagine , it is by far the most useful skill you can possess, no matter what field of work you’re involved in. At this five day workshop, we take a deep dive into the fine art of spoken storytelling.

Workshop plan
The aim of this workshop is to equip & empower individuals in the skill of vocal storytelling.
What you will learn
  • Techniques of storytelling
  • Crafting a story to tell
  • Methodology 
  • Participatory Learning
  • Individual Involvement & Group Learning
  • Experiential, Activity - based Learning
  • Interactive Learning
  • Skill based Learning
  • Discussions

By the end of this workshop, participants will be able to:

1. Identify stories with storytelling potential and craft a story for telling.
2. Select from a variety of methods when adapting stories for audience participation.
3. Select from a variety of strategies for making the story come alive.
4. Tell a story

Materials required
Paper, pens, pencils, poster / watercolours, scissors , chopsticks , fevicol, cutter, cartridge paper.

How to register:

Fill this form to register
Please note the following:
1. Deadline for registration is 10.00AM Friday 12th February, 2021.
2. Attendance is compulsory. This is a credited course DE 614.
3. After 10.00 AM on 12th February, we will not be able to change your registration
4. All class representatives are requested to share this information with all students through other media like Whatsapp, Signal, Telegram etc. Official email can be sent only to the official IIT Bombay email address. It is the responsibility of students to read emails sent to their official iitb email address and register for the workshop on time. CRs may kindly make sure all students are aware of this registration process

If you need any clarification, please write to <gvsiitb@gmail.com>
 
 
 
 
 
 
 

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